Wool and silk blend henna scarf explorations

I have been reluctant to put this particular piece in my shop. Why? Who knows. The sun was shining yesterday, so I went out back with my 15 year old son to catch some photos in good light. I like his eye, he knows to move around the subject and try different angles. My sons have taken some of my best photos so far!

I have more scarves in the works, I soaked one habotai silk scarf in a henna bath and will henna some mehndi motif designs over it. It came out a beautiful soft peach tone. I am thrilled to have thought of this, as it adds dimension to the usual white/off white of the scarves I have in stock. The henna paste I mixed yesterday contains lemon juice, rather than tea, which I have been using lately for my henna crafting. I am interested to see if there is a slight color difference. In a few days, I should have my results, as I like to keep the henna paste on for at least 1 day or more.

Until next time,
henna dreams and crafty inspirations to us all
Kristy

The henna plant leaf contains a reddish dye molecule which adheres very well to many things of an organic nature. Such as skin, silk, drum heads, and papers. I have hand painted this scarf with a henna cone containing my henna paste mixed especially for fiber arts. My paste contains a red herbal tea, chai tea, and jamila henna powder. The paste is left intact for numerous days then heat set. The paste is rubbed off to reveal a lovely saffron, golden hued design stain. The design is then heat set again.
I love the feel of this scarf, the wool and silk is marvelous. I have yet to see how they would react to some hot water felting baths.
Info from the artist:

http://www.etsy.com/listing/66579747/light-silk-wool-blend-henna-floral

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Asha Savla mehndi stain 2011


Asha Savla stain 2011

Originally uploaded by Henna Trails

This is classical Indo-Arabic styled henna designed by Asha Savla. She is a world renowned henna designer based in Mumbai, India. She is one of my personal favorites, I often work on myself from her books. I am nearly satisfied with my line quality work, it could be better. That will come with time and practice. I am clearly obsessed with mehndi, so that is no problem. I haven’t been bored in I don’t know how long.

I did my left hand one night, left my paste on overnight with a few lemon sugar sealants. It took awhile to rub it off the next morning, but I would never just wash it off with water. Too much detailed work in mehndi to not follow the aftercare rituals for dark stains.
The next morning I did my right hand, I always start with my palms first. Because I was using my non dominate hand, it took much longer than my left hand did. I think it is a good brain and muscle control exercise. Also, I really don’t like having heavy mehndi only on one hand. Really. Light sangeet style on one hand does not bother me. I am trying to practice more complex designs, so that I may aquire some bridal clients this year.
I am really enjoying this particular mehndi, I also did the tops, but the palms always come out with pomegranate and deep cherry tones.

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January Bridal Henna Stain


12/2010 Henna Stain3

Originally uploaded by Henna Trails

It sure is quiet in the mehndi body art corner of my small rural world. It is cold outside! So I practice on myself to stay limber of hand and mind. I spend a fair amount of time looking at fellow henna artisan’s work on photo/social media sites and am always impressed with a finely detailed Indian Bridal Mehndi design. I typically only have the opportunity to do this level of mehndi artistry on myself, as my clients usually prefer smaller, more flowing, open designs. This particular design is in the Indo Arabic Mehndi style, a fusion of the elegant sweeps of arabic motifs, often inspired by plants and flowers, with intricate detials inspired by traditional Indian Mehndi. Goodness, I love henna.